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Jazz Bands

The EL Jazz Band ref:3009.1

An irresistible sound

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Jazz Bands

The MG Jazz Band ref:3124.1

Lively stylish good-time music

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Solo & Duos

JF Jazz Duo ref:3283.1

smooth saxophone dinner jazz

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Jazz Bands

The TD Jazz Trio ref:3791

Exciting young professional Trio

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Jazz Bands

The GW Jazz Quartet ref:3363

Swing jazz with style

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Jazz Bands

The JE Jazz Quartet ref:3307

Great "swing "band

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Big Bands

The HM 1920/30s Jazz Orchestra ref:3009.3

Great band for very special events

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Jazz Bands

DL Jazz Quartet ref:3010.2

Entertaining professional band

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Solo & Duos

The SB Jazz Duo ref:3041.1

Lively young duo, with diverse repertoire

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Jazz spans a wide and sometimes confusing range of music and styles. Perhaps this summary will help you determine the kind of jazz band that you are most interested in.

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Ragtime Jazz Band

  • Strictly speaking this is not a jazz style, but it is often thought of as one of the precursors of jazz.

  • It dates from the latter half of the 19th Century.

  • The majority of rags were originally written as piano pieces, but many well-known pieces have been arranged for other instrument combinations.

  • Ragtime is primarily a composed form. Unlike jazz it doesn’t contain improvisation, although many rag themes have subsequently been used for jazz improvisation.

  • They are exuberant in mood and are usually played at a steady speed.

  • Distinctive features include a bouncy, off-beat melody against a strong bass line, often in jazz bands larger than the jazz quartet.

  • The most famous composer of rags is Scott Joplin. He wrote more than 600 of these. His best- known pieces include The Entertainer and Maple Leaf Rag.

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New Orleans Style Jazz Band 

  • This occurred from 1910- 1930.

  • The most common instrumental line-up for this style is: cornet/trumpet, trombone, clarinet, double bass/tuba, banjo/guitar, sometimes piano and drums.

  • The most distinctive feature is the inter-play between the front- line instruments (cornet/trumpet, trombone and clarinet). They all improvise at the same time (collective improvisation), creating a texture that is unique.

  • As a result of this, the music can sound strident, but it is always lively and up- beat.

  • A New Orleans piece will usually include some solos.

  • The most famous band- leader in this style is Louis Armstrong who would often perform with his jazz trio.

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Dixieland Jazz Groups

  • This dates from the same period as New Orleans jazz, and is similar in style.

  • The principle difference is the lack of solos. Most pieces are based on collective improvisation throughout the jazz jazz groups.

  • In Dixieland Jazz Groups Lively speeds are common

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Chicago Style jazz bands

  • Again, this is similar to New Orleans jazz.

  • The whole ensemble will usually play at the beginning and end of a piece, with collective improvisation from the front- line. A succession of solos will occur in the middle.

  • Chicago style jazz bands are usually more boisterous than New Orleans jazz.

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Swing Jazz bands and Jazz singers

  • A completely new style that occurred during the 1930s.

  • Big bands became popular, with the 13-piece band being common.

  • The standard instrumental line-up for a swing band is: 3 trumpets, 2 trombones, 4 reeds(usually saxophones), piano, guitar, double bass and drums.

  • The sound is distinctively rich and full, with characteristic inter-play between the brass and reed sections, who often share out the melodic work.

  • Improvised solos are common, often by jazz singers who feature prominently in swing jazz bands.

  • At the time much of this music was used for dancing.

  • Famous band –leaders of the period include Duke Ellington and Count Basie.

  • Famous soloists include Lester Young and Benny Goodman.

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Bebop Jazz Bands 

  • This gradually appeared during the 1940s as a reaction against the increasing commercialism of Swing.

  • Smaller ensembles were the norm, with a typical ensemble comprising: trumpet, saxophone, piano, double bass and drums. The jazz pianist comes to the for in this jazz form.

  • Bebop harmony tends to consist of quite complex chords, and players improvise freely over these.

  • Improvisations are usually technically demanding, showing off the players command of their instrument, and they generally move a long way from the original theme of the piece(which will be played by the ensemble at the beginning and end of the piece).

  • Unlike Swing, this music is to be listened to and is not for dancing.

  • Famous band- leaders of the period include Dizzy Gillespie, Charlie Parker and Thelonious Monk.

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Cool Jazz Bands

  • Cool jazz dates from the 1950s.

  • Band sizes at the time were flexible, but smaller ensembles were often more commercially viable.

  • The standard instrumentation of trumpet, trombone, saxophone, piano, double bass and drums remains the heart of a large ensemble, but there were also experiments with instruments such as the French horn, alto flute and bass clarinet to create special effects.

  • The dominant feature of the style is its calm, relaxed playing and warm sound.

  • Solos are common often from jazz vocalists.

  • Some of the best- known musicians of this period include Gerry Mulligan and Miles Davis.

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Hard Bop Jazz Bands 

  • This is another style from the 1950s, and contrasts hugely with cool jazz.

  • The music is earthy and extrovert with prominent drumming.

  • It is usually lively, with a sense of driving forward.

  • Like Bebop, ensembles tend to be small,  with a typical comprising trumpet, saxophone, piano, double bass and drums but often with prominent jazz guitarists in the mix.

  • Famous musicians from this style include Dizzy Gillespie, Quincy Jones and John Coltrane.

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